Oh. I was looking for the toilet.
Greenlight voters seemed to agree. Routine was one of the first games to get the go-ahead from Valve after the release of the arresting Gamescom trailer. I called up art and design man Aaron Foster find out more about Lunar’s intriguing take on survival horror.
Routine is a first person horror game set on an abandoned (OR IS IT?) moon base. It’s as much about exploration as sudden scares. Lunar Software want to move away from the scripted frights of linear big-budget horror games like Dead Space and give players the opportunity to wander the base at their own discretion. An unknown AI-driven enemy will stalk the corridors, reacting to your movements to produce unpredictable encounters.
“Most horror games are extremely linear in their design because they need to set up these scenes for the player to get scared. There are a few exceptions, but the ones that are are very simple and streamlined, ” Said Aaron. He reckons that the anticipation that comes before the scare is as powerful as the moment of confrontation itself. “The scary thing about a horror movie or game is that not knowing, not knowing what’s going to happen, or who it is, or what it is and I really want to try and make sure that we don’t spoil too much.”
In space, no-one can help you if your visor fogs up.
That means we’ll spend a lot of time raiding the moon base in terrified silence, so it’s essential that the facility be interesting and deeply atmospheric. For the sake of immersion, there will be no HUD or health bar, and you won’t have many items to help you out. Aaron says there will be a risk reward element to every action. You have a tool that will make it easier to navigate the base’s complex layout, but you’ll lose access to your screen temporarily if you’re forced to use your weapon.
Foster’s greatest passion is in environmental art, an aspect of design that directly informs the mental state of the player in a horror game. You might be familiar with the uncanny valley. It’s a disturbing humanoid robotics phenomenon that describes the point at which the subtly warped features and movements of an android face incur more fear than empathy in human observers. There’s an uncanny valley to human living, too. In life, it can be seen in photos of the abandoned offices and schoolyards of Pripyat. In fiction, the spotless suburbia of the Stepford Wives has a similar effect.
Pripyat is rife with the filth and decrepitude of abandonment, The Stepford Wives keep their slice of civilization in a state of inhuman, shrink-wrapped perfection. It’s an opposition that runs throughout science fiction. It’s the grimy, cynical dystopia vs the glowing, wantless utopia. It’s Blade Runner vs. Star Trek. Aaron describes sci-fi films as “the most inspirational and influential things I had when growing up.” His family lived near a video store when he was younger. He describes how their friendship with the owner gave him access to a great range of sci-fi features and horror films well before his 18th birthday.
Mike’s powerpoint presentation has been cancelled due to horrorpocalypse.
Routine’s moon base will occupy a middle ground between the scummy warrens of an urban cyberpunk neo-pit and the shining idealism of the Federation. The moon base is a pragmatic construction. It’s a mix of cold boardrooms, futuristic hallways and ominous engine rooms. Imagine the gleaming white bulkheads of the U.S.S. Enterprise browned by age and sweat, scarred by overpopulation and thrown into disrepair by an unknown catastrophe.
“They’ve taken this really high-tech sci-fi design and then crammed a hundred people in a small, condensed area to live there for like, 20, 30 years. It’s dirty and horrible,” Aaron explained. “That’s the way I try to see things. There’s dirt stains everywhere, people lived in the corners of the floor, they’ve left lots of rubbish.”
“I like the old chunky, slightly dirty white design of all the interiors. Everything always had a haze, a musk, everything was always a bit lived in. I always felt that was so much more relatable.”
The corridors of the future are round to thwart lazy wall-leaners.
Routine is being developed by a team of
four. Three are based in the front room of a Preston apartment and
there’s also a sound chap based in Australia. Greenlight success came as
a big surprise. They were inspired to enter Routine into the voting
process after watching Indie Game: The Movie, and slipped in just before
Valve introduced the £100 entry fee. Would Lunar Software have taken
the plunge if they’d had to pay?
“It wouldn’t have been a barrier,” said Aaron. “I would’ve paid that
if it was a few grand. To me, you’re making a game to not only get
something out there that you are proud of, but you also, for all of us,
we want enough return on that just to make the next game, right?“We’re not aiming to get mass millions because we’d have to make something different from what we’re going, but we just want enough to be able to develop the next game, and I think Steam gives you the best opportunity of that. To us it was just a massive relief. Paying a hundred dollars, two hundred dollars, it doesn’t matter at the end of the day.”
Routine is due out next year. Soak up some of the atmosphere right now with the debut trailer.
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